Posts Tagged ‘adobe cs5 production premium

26
May
10

canon 7d is the new hv20

Just saw this new music video posted on Vimeo, shot with the Canon 7D.  Took me back to another time when the Salvia Bros. and Mike the Mailman shot this video of The Black Keys with 2 Canon HV20’s and a Canon HF10:

And if you’ve been a looong time reader of this blog, you’ll remember the multiple levels of hell it was to post this video due to early adoption of Canon’s new (at the time) tapeless camera.  Over time the DSLR revolution overtook the popularity of the HV20 + 35mm adapter movement, for good reason.  And that’s not to say there aren’t new levels of post production hell to be traversed working with h.264 footage from the 7D, 5D, etc.  But is that really an excuse considering the price and results?

If I were starting all over today, was heading to film school full time, what have you, my ideal toolset would be a 17″ MacBook Pro with FCS3 & Adobe CS5 Production Premium, a Canon 7D with the kit lens, and a Lacie Rugged drive.  Not to mention the bank account to pay for it all, plus a smattering of lenses, shoulder mounts, monitors, plug-ins, etc.

proactively • daydreaming • peter

Disclosure, to comply with the FTC’s new rules

None of the manufacturers listed above are paying Peter Salvia to write this article and, so far, none have sent him any samples or demonstration items.  Peter is a B&H Sales Affiliate and receives a commission from items linked to B&H and purchased through this site.  Oh yeah, and he’s an Apple Certified Trainer so you can derive his bias for yourself.

19
May
10

rumorama – apple dumbing down final cut studio apps?

Hot off the AppleInsider presses, Prince McClean writes:

Apple’s Final Cut Studio suite of video post production apps is getting a significant makeover to better target the software to the mainstream of Apple’s customer base rather than high end professionals.

To quote Robin Kurz on the FCP-L:

Oh puuuh-leeeeeeze….

Basically, this article gets legs when it cites two new positions at Apple:

Senior Visual Interface Designer for Pro Apps

Senior Human Interface Designer for Pro Apps

It seems to me these rumors circulate along with product life cycles.  I remember when a high ranking engineer at Discovery passed me in the hallway back in 2007 and said something like ‘Avid is going to sue Apple over ProRes because Steve Bayes stole the code for DNxHD.  It’s going to force Apple to revoke ProRes from FCS 2 and render it useless.‘  Bleh.  This kind of stuff is marketing propaganda, corporate warfare, blatant entrenched hatred, what have you.

Apple Final Cut Studio 3

I can understand that a lot of us were hoping for more from FCS 3, something along the lines of the Phenomenon rumors and rants.

Adobe Production Premium CS5 for Mac

I know that Adobe has my full attention with CS5 Production Premium, specifically new features like After Effects’ Roto Brush and Photoshop’s Content Aware Fillimproved selecting and masking, and HDR de-ghosting.  I must say the Adobe TV partnership with Lynda.com is very common-sense innovational.  I’d definitely like to see Apple provide an equally broad and detailed approach to offer their users free software training.  But, I digress.

If anything, I’m looking forward to continued innovation and market-shaping, value added features from Apple for upcoming releases of Final Cut Studio.  Just like when they brought us HD.  Just like when they created the Final Cut Studio suite.  Just like when they gave us ProRes and Color.  Just like when they will do the next thing that blows the top off of everybody else.

proactively • looking forward, still • peter

***UPDATE***

Philp Hodgetts has a great write up on this same article here.

***UPDATE 2***

Oliver Peters just posted a solidly informative review of Premiere Pro CS5 to the FCP-L:

I’m not so sure I would characterize FCP as “having been left in the dust” by Avid and Adobe. I’ve done some pretty decent testing with Premiere Pro CS5 on both the high-end FX4800 and my stock GeForce 120 cards. I run Avid MC 4 as well.

PrProCS5 is definitely better than PrProCS4, but if you are working with most DVCPROHD, uncompressed, or ProRes, the experience is pretty comparable between FCP and CS5. On the other hand, even MC4 with DNxHD is more responsive than either app and these media types. If you run native AVC-Intra 100, CS5 is very slick and as fluid as anything I’ve seen. It’s also very nice with H264 or RED, but I still wouldn’t want to cut natively with either. Yes, you can do native RED raw 4K editing, but so what. You’re not going to cut a feature this way.

The core editing functionality is still largely the same, so if you liked Premiere Pro CS4 you’ll love CS5. If you hated it, then the 64-bit performance won’t have you jumping ship. It’s not just a matter of the Mercury Playback (CUDA) optimization or 64-bit operation. Performance also gets down to other factors: CPU power, RAM and hard drive speed.

- Oliver

***UPDATE 3***

In an official end to the madness, CNET just poted this quote from Apple:

“Final Cut Pro is the first choice for professional video editors, and we’ve never been more excited about its future,” Apple spokesman Bill Evans told CNET. “The next version of Final Cut is going to be awesome, and our pro customers are going to love it.”

Disclosure, to comply with the FTC’s new rules

None of the manufacturers listed above are paying Peter Salvia to write this article and, so far, none have sent him any samples or demonstration items.  Peter is a B&H Sales Affiliate and receives a commission from items linked to B&H and purchased through this site.  Oh yeah, and he’s an Apple Certified Trainer so you can derive his bias for yourself.




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