Here’s part 2 in an initial 3 part series of Final Cut Prose video tutorials working with footage from the new Canon EOS 5D Mark II digital SLR. I recommend clicking thru for the HD version to better see Color’s GUI.
One considerable addendum to the tutorial. I loaded the h264 source files into Color and observed far different measurements in Color’s waveform monitor. Check this out:
Broadcast safe on:
Broadcast safe off:
So it would appear there were some luma and chroma changes taking place during the conversion from h264 to ProRes. Almost as if Compressor applied a broadcast safe filter during conversion. The h264 source video that Vincent Laforet provided for download does indeed appear to be sans color correction.
Bleh, the h264 to Apple ProRes 422 workflow will need improvement. Well, it’s a working model. You are witness to my real world self-analysis, right here before your eyes, humble reader.
If there’s an FCP, Color, and / or Motion topic you would like me to cover, then post a comment and let me know. Check back soon for FCProse Episode 3 – Compressing 5dmarkii Footage for Web.
Know any $2600 video cameras that can produce these results?
proactively • sculpting my brain to comprehend this new world of possibilities • peter