Posts Tagged ‘5d mark ii

23
Dec
08

monitoring 1080p30 from the 5dmarkii

Received an inquiry from a reader and after writing up my response realized this might make good bloggery.  His question was essentially How do I look at the stuff I’m shooting on my shiny new Canon 5D Mark II? (my own editorial tone added for consistency’s sake).  Bonusly, I’ve stepped up my blog game and embedded url’s in the pics so click through to get more info.

Monitoring 1080p is a considerable undertaking, especially if you want to do it right.  First things first, you’ll need to start with a

Apple Mac Pro

Apple Mac Pro

or a

Apple 17" Macbook Pro

Apple 17" Macbook Pro

or both.

Burning a Blu-Ray disc requires software like

Apple Compressor 3

Apple Compressor 3

and an external BluRay disc burner

LG LightScribe

LG LightScribe

Bonus link here to build your own Compressor BluRay setting.

Monitoring native 1080p30 out of Final Cut Pro is can be a bit tricky, essentially you’ll need a capture card like the Matrox MXO for instance

Matrox MXO

Matrox MXO

and a monitor of some kind, preferably with native 1080p resolution like the

Dell 2407 WFP

Dell 2407 WFP

or the

Apple 23-inch Cinema Display

Apple 23-inch Cinema Display

I’m using a setup similar to this at home.  At work we use an AJA Kona 3

AJA KONA 3

AJA KONA 3

monitoring on an HD  broadcast monitor via HD-SDI

JVC DT-V24L3DU

JVC DT-V24L3DU

Otherwise, you can simply view the footage in FCP’s canvas as it plays back in your time line and not worry about the expense of a setup like this until the finishing stage.  Then you could happily walk your project over to a facility with the professional setup and order from their lunch menu while a Colorist cracks jokes and crushes your blacks.

It’s the dollars vs doable decisions that really make this craft an art form IMHO.  Cranking out broadcast quality 1080p material on a 10k FCP setup (and it really is 10k if you’re paying for all the software) is not something you can do overnight. But, it can be done.

proactively • man that’s a lot of alliteration • peter

15
Oct
08

FCProse Episode 3 – Color Grading 5dmarkii footage

Here’s part 2 in an initial 3 part series of Final Cut Prose video tutorials working with footage from the new Canon EOS 5D Mark II digital SLR. I recommend clicking thru for the HD version to better see Color’s GUI.

One considerable addendum to the tutorial. I loaded the h264 source files into Color and observed far different measurements in Color’s waveform monitor. Check this out:

Broadcast safe on:

Broadcast safe off:

So it would appear there were some luma and chroma changes taking place during the conversion from h264 to ProRes. Almost as if Compressor applied a broadcast safe filter during conversion. The h264 source video that Vincent Laforet provided for download does indeed appear to be sans color correction.

Bleh, the h264 to Apple ProRes 422 workflow will need improvement. Well, it’s a working model. You are witness to my real world self-analysis, right here before your eyes, humble reader.

If there’s an FCP, Color, and / or Motion topic you would like me to cover, then post a comment and let me know. Check back soon for FCProse Episode 3 – Compressing 5dmarkii Footage for Web.

In the meantime, here’s some HDR timelapse footage (click here for a how-to) shot on a digital SLR in San Francisco by Chad Richard.

Know any $2600 video cameras that can produce these results?

proactively • sculpting my brain to comprehend this new world of possibilities • peter




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