Posts Tagged ‘canon

18
Dec
08

canon & bicycles – hv30 vs. 5dmarkii

And the theme for this comparison is… bicycles! Here’s a Vimeo SD embed of a video I shot & cut for the Travel Channel Academy with my Canon HV30 at 1440x1080p24

And here’s two YouTube high quality SD embeds of footage shot with a pre-production model of Canon’s new 5D Mark II Digital SLR at 1920x1080p30

Sure, the 5D is 3500 bucks off the shelf, and my entire HV30 kit with wide angle lens adapter, boom mic, camera bag, and a sweet lens cleaning pen topped out at 1200 bucks. But holy hell, look what an additional 2400 bucks can get you!

So what’s the point of even looking at the Canon XH-A1 or the Sony Z1U at a very similair 3,xxx dollar price point? None. Or maybe you’re required by DCI to jump through flaming hoops of razor wire to deliver tapeless footage (my sympathies). Or then maybe you like recording video AND sound. I’ve yet to see, err hear, any audio examples at all from the 5dmarkii.

Anybody out there know of any? And when the hell is my Apple TV going to start playing YouTube in HD???

proactively • just make the sound up in post • peter

16
Oct
08

how to – make an HDR timelapse

While I’ve been on the subject of tutorials, here’s one that I’ve found that is, to coin a phrase, picture perfect:

How to make an HDR timelapse

I found Chad Richard on Vimeo while researching the Canon 5dmarkii and HDR imagery.  Chad shot the above HDR timelapse with the Nikon D700 (if you want to check that camera out, too).

Wow, Chad’s a great find.  Here’s one reason:

Thanks for stopping by Chad, and thanks for publishing your process to create HDR timelapses.

You’ve inspired my imagination.  And I have a new reason to break out my trusty old Nikon 5700 Coolpix (RAW images & Auto Exposure Bracketing 3 or 5 frames within +2 EV, yay!).

proactively • grateful • peter

15
Oct
08

FCProse Episode 3 – Color Grading 5dmarkii footage

Here’s part 2 in an initial 3 part series of Final Cut Prose video tutorials working with footage from the new Canon EOS 5D Mark II digital SLR. I recommend clicking thru for the HD version to better see Color’s GUI.

One considerable addendum to the tutorial. I loaded the h264 source files into Color and observed far different measurements in Color’s waveform monitor. Check this out:

Broadcast safe on:

Broadcast safe off:

So it would appear there were some luma and chroma changes taking place during the conversion from h264 to ProRes. Almost as if Compressor applied a broadcast safe filter during conversion. The h264 source video that Vincent Laforet provided for download does indeed appear to be sans color correction.

Bleh, the h264 to Apple ProRes 422 workflow will need improvement. Well, it’s a working model. You are witness to my real world self-analysis, right here before your eyes, humble reader.

If there’s an FCP, Color, and / or Motion topic you would like me to cover, then post a comment and let me know. Check back soon for FCProse Episode 3 – Compressing 5dmarkii Footage for Web.

In the meantime, here’s some HDR timelapse footage (click here for a how-to) shot on a digital SLR in San Francisco by Chad Richard.

Know any $2600 video cameras that can produce these results?

proactively • sculpting my brain to comprehend this new world of possibilities • peter




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