Posts Tagged ‘H.264

18
Oct
08

FCProse Episode 4 – cut color compress 5dmarkii footage

Here’s the all-in-one video tutorial showing you how to cut, color, and compress 1080p video captured with Canon’s upcoming 5D Mark II Digital SLR with three Final Cut Studio 2 applications: Final Cut Pro, Color, and Compressor. I recommend clicking thru for the hd version to better see the application interfaces.

In this episode I walk through the steps to edit your footage in Final Cut Pro, perform a broadcast safe grade in Color, and then make a web compression for upload to YouTube and Vimeo using Compressor.

I work directly with the source H.264 video Vincent Laforet made available for download (no H.264 -> Apple ProRes 422 transcode this time around). I also discuss some system specs and rant about High Dynamic Range video. A quick tag surf lead me to this post that has an example of HDR video captured by something called the HDRC® MDC04 CL camera system.

What’s High Dynamic Range (HDR), you ask? Check out yet another Chad Richard HDR timelapse (click thru for the full HD effect):

Mr. Richard has done a lot of heavy lifting to convert a series of HDR stills into 1080p video (and then compress for Vimeo, of course). Check out his tutorial for this process here.

We’re at the forefront of a paradigm shift where digital photography and high definition video are converging. Check out Romy Ocon‘s 5dmkii bird photography, err, video:

Right now is an exciting, exciting time.

proactively • sitting in a front row seat • peter

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07
Oct
08

FCProse Episode 2 – Editing 5dmarkii footage

Whipped up a quick video toot for anyone who wants to edit the Reverie footage but is having a tough time working with the native 1080p h264 Quicktime files. I recommend clicking thru for the HD version to see the FCP interface text clearly.

Hopefully everything I’m saying there is making sense. Fast, good, and cheap; I picked fast and cheap.

**UPDATE**

Norwegian Broadcasting Corporation has posted their video analysis of 5dmkii source footage.  With the disclaimer that this analysis is based on footage produced by a beta model of the camera, they report:

It looks like the GOP-structure of the clips are one I-frame for each 15 P-frame. No B-frames.

Click thru for the full report and pics of bitrate histogram and footage properties! (In English)

**UPDATE END**

And in case you haven’t seen the Reverie film because the Canon link is down, here’s the video on Vimeo until it’s taken down:

And here’s some more footage shot with the 5dmkii for your viewing pleasure:

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With the wireless WFT-E4A backup disk attached:

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Vimeo member Sebastian Stevens commented on this last video, stating

Watching the movie above seems to show the seem rolling shutter problem the nikon D90 has, but when you download the original video file, the video is very stable and shows no weird image skews.

I’m really looking forward to finding more original footage from this camera. In the right hands, this is going to be a killer video capture device. Now, what about audio recording… ?

proactively • 5dmkii’ing • peter

09
Apr
08

YouTube HQ Video Comparison

Just stumbled across Editing Organazized and found this enlightening post:

To make YouTube content work on non Flash-based devices (AppleTV, iPhone), recent videos are available in higher-quality, non Flash versions.

To view higher quality MP4 (H.264) versions of videos, add ‘&fmt=18′ to the end of the address.

So here’s a comparison test embed of Jose Gonzalez posted with the Compressor 3 iPhone setting:

Default

with the additional code &fmt=18

Credits:

Jon Salvia ……………….. Camera Producer

Salvatore Salvia ……….. Camera

Peter Salvia ……………… Cuts Color Compression

Quoting Rory’s immediate, professional, knee jerk opinion:

Hey, I think the top one looks better. No wait, yeah, I can see the difference. But not much.

Thanks for the blog cameo Mr. Sheridan. And thanks Editing Organazized for the awesome and informative post.

proactively • peter




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