Posts Tagged ‘vincent laforet

09
Jun
11

vincent laforet reviews red epic

I covered Vincent Laforet’s Reverie so passionately that it’s nice to see him reviewing a camera I am even MORE passionate about than the Canon 5D Mark II – RED’s Epic.

Good to read a review of the Epic from a still photographer’s perspective, Mr. Laforet sounds off on some ontological questions of still capturing that the Epic inspires him to ask.

Initially discovered this review from this reduser forum thread, you can jump straight to the read here or by clicking on the above pic.

Now I’d love to hear his take on HDRx and it’s impact in the stills world…

proactively * epic’ing * peter

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18
Oct
08

FCProse Episode 4 – cut color compress 5dmarkii footage

Here’s the all-in-one video tutorial showing you how to cut, color, and compress 1080p video captured with Canon’s upcoming 5D Mark II Digital SLR with three Final Cut Studio 2 applications: Final Cut Pro, Color, and Compressor. I recommend clicking thru for the hd version to better see the application interfaces.

In this episode I walk through the steps to edit your footage in Final Cut Pro, perform a broadcast safe grade in Color, and then make a web compression for upload to YouTube and Vimeo using Compressor.

I work directly with the source H.264 video Vincent Laforet made available for download (no H.264 -> Apple ProRes 422 transcode this time around). I also discuss some system specs and rant about High Dynamic Range video. A quick tag surf lead me to this post that has an example of HDR video captured by something called the HDRC® MDC04 CL camera system.

What’s High Dynamic Range (HDR), you ask? Check out yet another Chad Richard HDR timelapse (click thru for the full HD effect):

Mr. Richard has done a lot of heavy lifting to convert a series of HDR stills into 1080p video (and then compress for Vimeo, of course). Check out his tutorial for this process here.

We’re at the forefront of a paradigm shift where digital photography and high definition video are converging. Check out Romy Ocon‘s 5dmkii bird photography, err, video:

Right now is an exciting, exciting time.

proactively • sitting in a front row seat • peter

15
Oct
08

FCProse Episode 3 – Color Grading 5dmarkii footage

Here’s part 2 in an initial 3 part series of Final Cut Prose video tutorials working with footage from the new Canon EOS 5D Mark II digital SLR. I recommend clicking thru for the HD version to better see Color’s GUI.

One considerable addendum to the tutorial. I loaded the h264 source files into Color and observed far different measurements in Color’s waveform monitor. Check this out:

Broadcast safe on:

Broadcast safe off:

So it would appear there were some luma and chroma changes taking place during the conversion from h264 to ProRes. Almost as if Compressor applied a broadcast safe filter during conversion. The h264 source video that Vincent Laforet provided for download does indeed appear to be sans color correction.

Bleh, the h264 to Apple ProRes 422 workflow will need improvement. Well, it’s a working model. You are witness to my real world self-analysis, right here before your eyes, humble reader.

If there’s an FCP, Color, and / or Motion topic you would like me to cover, then post a comment and let me know. Check back soon for FCProse Episode 3 – Compressing 5dmarkii Footage for Web.

In the meantime, here’s some HDR timelapse footage (click here for a how-to) shot on a digital SLR in San Francisco by Chad Richard.

Know any $2600 video cameras that can produce these results?

proactively • sculpting my brain to comprehend this new world of possibilities • peter

07
Oct
08

FCProse Episode 2 – Editing 5dmarkii footage

Whipped up a quick video toot for anyone who wants to edit the Reverie footage but is having a tough time working with the native 1080p h264 Quicktime files. I recommend clicking thru for the HD version to see the FCP interface text clearly.

Hopefully everything I’m saying there is making sense. Fast, good, and cheap; I picked fast and cheap.

**UPDATE**

Norwegian Broadcasting Corporation has posted their video analysis of 5dmkii source footage.  With the disclaimer that this analysis is based on footage produced by a beta model of the camera, they report:

It looks like the GOP-structure of the clips are one I-frame for each 15 P-frame. No B-frames.

Click thru for the full report and pics of bitrate histogram and footage properties! (In English)

**UPDATE END**

And in case you haven’t seen the Reverie film because the Canon link is down, here’s the video on Vimeo until it’s taken down:

And here’s some more footage shot with the 5dmkii for your viewing pleasure:

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With the wireless WFT-E4A backup disk attached:

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Vimeo member Sebastian Stevens commented on this last video, stating

Watching the movie above seems to show the seem rolling shutter problem the nikon D90 has, but when you download the original video file, the video is very stable and shows no weird image skews.

I’m really looking forward to finding more original footage from this camera. In the right hands, this is going to be a killer video capture device. Now, what about audio recording… ?

proactively • 5dmkii’ing • peter

26
Sep
08

blog bomb – canon EOS 5D Mark II

The game has changed.

Stop everything you are doing and go watch REVERIE by the Explorer of Light himself, Vincent Laforet.

From Vincent’s blog:

I’m proud to finally share this short film with everyone – no time for words – let’s let the moving images do the talking… Here is the raw footage (downsized to 1/4 resolution) from the prototype EOS 5D MKII that Canon allowed me to borrow over a 72 hour period. Many thanks to David Sparer and everyone at Canon…. The Behind the scenes video will be up shortly.

Additionally, Vincent is working with Canon to post the raw files from the camera for download:

Due to pretty incredible demand and a fair amount of (healthy) skepticism as to whether or not the footage in the “Reverie” piece is “truly” raw out of the camera, we will be releasing a series of raw clips – the exact same clips that were used in the “Reverie” short film – this coming Friday.

Good lord, he is claiming no color correction for this whole video, just the raw footage was used. And it’s shooting 1080p resolution to disk?! Combine this with the awesome glass of prime lenses and this may well spell the end for companies like Red Rock Micro, Letus35, Cinevate, and the rest of the 35mm adapter suppliers.

Holy crap, the world is standing on it’s head yet again.

proactively • up is down and left is right • peter

*** UPDATE ***

You can now download three clips from the video HERE!

Quicktime movie properties:

And if you want them (as if!), here’s the official Canon specs on the EOS 5D Mark II (which are a bit long winded and confusing), so be sure to check out Engadget’s post for the bread and butter video stuff.  Now can we adopt some slang to refer to this bad boy already?!

Now get grading!!!




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